Shape and suggestion...
Cheers,
My name is Marianne Plumridge. I am an artist of mythic fantasy works, pulp science fiction, portraiture and fine art images. I also satisfy my creative muse with sewing, cooking, writing, reading, crochet, and jewelry-making. These have been my thoughts and adventures with whichever muse drives me each day but in the last year my return to jewelry-making has taken a more serious turn. So, for the time being, I'll show it here. You can find more of my art at https://daubdujour.blogspot.com/
When I started creating this necklace, it was all about the 'engineering' following an 'I wonder if I can make that work?' moment. Do you recognize the top of the focal? Right. It's the same base branch that has become one of my favourite building blocks...only in aged bronze. The engineering bit I was contemplating was the curved side pieces with all of the loops. Layering them and wrangling them into position was very fiddly and produced soft cussing and searches for dropped tiny jump rings, beads, findings and tools. Sigh. My worktop is tiny and not ideal, and the whatever I'm working on tends to drift off the table and into my lap while I'm wrestling with two tiny pairs of pliers...one not necessarily designed for that type of work. I have yet to make getting better tools a priority. Anyway, the bronze was very dull on its own, so I chose a gold element for the central focal and drops to wake it up a bit and add brighter supports for the stones. Vintage red Venetian glass coin beads for 'pow' and the green of the pure Malachite for contrast. I found the singular Malachite triangle bead in the stash I bought from Lisa in February of 2025 and it fit the balance perfectly, along with the Venetian glass bead below it. Satisfied that I had achieved my 'engineering' dreams, I sat the completed piece on my show stand so I could look at it for awhile. However, it took me a full 24 hours to figure out why it reminded me of Christmas. I was still in a building frame of mind rather than a 'oh, isn't that pretty?' one. Once my perspective shifted, I finally saw the green tree shape and 'ornaments' dangling from a 'Victorian' frame chandelier. I had a good laugh, and now I can't unsee any of that, so I deemed it 'Winter Solstice'.
I'm not sure that the centre bead was meant to be used like I did with this necklace, but it sure turned out well. Again, I like the tiny gold accents giving the silver elements a boost. All the green is pure Malachite, and the black beads are Onyx. Like all of my necklaces, this one also hovers at the 18" length and sits just on the collarbone of the wearer. I had a lot of fun experimenting with the gorgeous green stones, as you will see below.
This creation gives off a faint Ancient Egyptian vibe with the almost mechanical gold 'stacked squares' connectors and lowest dangle, and the color choices. However it leans more towards Art Deco of the early 20th century, I think. I love this piece. It gave me a chance to use a specific type of vintage decorative chain with the diamond shaped links in it that I would usually find difficult to use. But it blended beautifully with the Art Deco pseudo Egyptian vibe I was going for, as you can see from the photo below. I do love that lush green Malachite and the black Onyx combination. The vintage gold tones make it that more lux.
In amongst Lisa's hoard of stuff were a lot of oddities like these gold ribbon bead 'frames'. I'm not sure what the were originally intended for, but with a bit of wrestling with them, I manage to squeeze four Malachite beads apiece into their odd loops. I like them, but they might not be everyone's cup of tea. And unfortunately, whenever I've tried to photograph them, it hasn't been good. This is the best pic I could get. They are actually richer and darker than pictured here.